Art Supplies Online New Products

Langton Prestige Pads - �0.00

rss@phpbasket.com — Sun, 29 Jan 2012 05:28:49 +0100

Daler Rowney Langton Prestige pads of watercolour paper. NOT (cold pressed)

Langton Prestige is a superior quality watercolour paper manufactured using 100% cotton, the highest quality material for papermaking. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture.

100% cotton, with a soft touch
Traditionally made on a cylinder mould machine
Acid-free, with an alkali reserve to preserve finished pieces of work and protect against discolouration
Gelatinised surface for strength and resilience
Natural white finish

300 gsm/140 lb, acid free, 12 sheets per pad, 100% cotton, available in 4 sizes.

Langton Prestige Pads Rough - �0.00

rss@phpbasket.com — Sun, 29 Jan 2012 05:28:49 +0100

Daler Rowney Langton Prestige pads of watercolour paper. Rough Grain Torchon

100% cotton, with a soft touch
Traditionally made on a cylinder mould machine
Acid-free, with an alkali reserve to preserve finished pieces of work and protect against discolouration
Gelatinised surface for strength and resilience
Natural white finish

300 gsm/140 lb, acid free, 12 sheets per pad, 100% cotton, available in 4 sizes.

Langton Prestige Blocks - �0.00

rss@phpbasket.com — Sun, 29 Jan 2012 05:28:49 +0100

Daler Rowney Langton Prestige block of watercolour paper. NOT (cold pressed), glued on 4 sides - no soaking & stretching required.

100% cotton, with a soft touch
Traditionally made on a cylinder mould machine
Acid-free, with an alkali reserve to preserve finished pieces of work and protect against discolouration
Gelatinised surface for strength and resilience
Natural white finish

300 gsm/140 lb, acid free, 12 sheets per pad, 100% cotton, available in 4 sizes.

Langton Prestige Blocks Rough - �0.00

rss@phpbasket.com — Sun, 29 Jan 2012 05:28:49 +0100

Daler Rowney Langton Prestige block of watercolour paper. Rought Grain Torchon, glued on 4 sides - no soaking & stretching required.

100% cotton, with a soft touch
Traditionally made on a cylinder mould machine
Acid-free, with an alkali reserve to preserve finished pieces of work and protect against discolouration
Gelatinised surface for strength and resilience
Natural white finish

300 gsm/140 lb, acid free, 12 sheets per pad, 100% cotton, available in 4 sizes.

System 3 Heavy Body Acrylic Colour 150ml - �0.00

rss@phpbasket.com — Sun, 29 Jan 2012 05:28:49 +0100

With Original and Heavy Body versions, System 3 acrylics are highly versatile, water-based acrylic colours. They offer an excellent painting experience at an economical price. Only high quality pigments are used in the manufacture of the System 3 acrylic ranges, offering significantly greater loading than in other acrylic ranges in this class. System 3’s comprehensive range of colours offers excellent light-fastness*, permanence, durability and covering power.

All colours can be thinned with water to pale washes or used directly from the pot or tube; each form dries quickly to create an insoluble film. The quick drying properties of the range enable the artist to work quickly, superimposing or juxtaposing colours without unnecessary fuss.

All System 3 Original and Heavy Body colours are fully intermixable and suitable for interior use. As they are not lightfast, fluorescent colours are not recommended for exterior use; all other colours are both lightfast and durable.

*All but fluorescent colours; by their nature fluorescent pigments are not lightfast.

This Heavy Body version of System 3 is a highly viscous, thicker paint. Making it perfect for impasto and layering techniques to really 'stand out' from your painting surface. It will show off brush strokes for expressive painting and work well with palette knives to create movement and texture.

Process Colours
Both System 3 ranges include process colours, enabling four-colour, half-tone screen printing. Nowadays, film separations can be made using straightforward and readily available computer aided graphics. The resulting photographic stencils are transferred to the printing screen, enabling three or four colour process printing. System 3 process colours also make excellent primary mixing colours.

System 3 Acrylic Paper
System 3 acrylic pads have been developed specifically for use with System 3 colours. In addition, its remarkable irregular linen textured surface offers the ideal tooth for painting with all acrylic colours. Available in A5, A4, A3 and A2 sizes.

StayWet Palette for Acrylic Painting
In some circumstances, the advantages offered by fast drying colours become a disadvantage. For these occasions, the Daler-Rowney StayWet palette is ideal. Working by osmosis, it keeps acrylic colours moist and workable, enabling artists to paint all day with their colours uncovered. When not in use, the palette is covered with its lid and the reservoir topped up to keep the colours moist, to save previously mixed colours for another day, and to reduce wastage.

System 3 Sets
A wide variety of sets with differing sizes of tubes is available in both System 3 Original and Heavy Body to allow the artist to assemble a broad range of colours on their palette in an affordable way. The sets also allow for experimenting with new ideas using different products, such as process or heavy body colours.

Screen Printing
Acrylic Printing Mediums are specially formulated for use with acrylic colours. The two combine to produce economical, low odour, water based screen printing ink which is regarded worldwide as the finest of its kind and, being solvent-free, is ideal for use in schools, studios and at home.
Printing Medium slows down on-screen drying of acrylic colour reducing the risk of screen blocking, making it easier to wash out. Screens, kept moist, will wash out easily with soap and water. The medium can be thinned with water. Even after mixing with Printing Medium, System 3 Original colours retain great density of colour, and very substantial covering power can be achieved on paper, card and board without undue cockling.

If printing on textiles, Textile Printing Medium should be mixed in roughly equal quantities with System 3 Original colours. The medium performs very well on cotton, cotton mixes, most natural fibres, silk and synthetics.

Screen Drawing Fluid is applied by brush directly to the screen to create a drawn image. It can be applied neat but often requires some dilution with water in areas with finer detail. Once dry, the entire screen surface is blocked out with Removable Screen Block, which is applied with a squeegee. After drying, the drawn image is washed out in cold water to leave an open-mesh positive image ready for printing. After printing, screens can be reclaimed by softening up the block with very hot water then vigorously washing out the Screen Block with a suitable brush and a very strong soap solution such as undiluted washing-up liquid. Screen Block should be kept upright and stored at normal room temperature.

Découpage and Papiér Mâché
System 3 colours can be mixed with Découpage Medium in order to give greater flexibility and increased gloss and transparency to colours. This medium is a clear gloss liquid with adhesive properties for use in collage, papier mâché and découpage or as a final water resistant sealant for all manner of craft works including stones, wood, card and paper. For stunning vibrant colours, apply System 3 colours to the treated paper or surface.

Mixed Media
System 3 colours can be used successfully in combination with many other media. They can be used for undercoat-painting before using other colours such as oils, pastels or FW or Calligraphy acrylic inks. Artists’ pencils, charcoal, pastels and coloured crayons can also be worked over the surface of System 3 acrylics. If required, fixing can be achieved in the normal way.

Cleaning
Brushes: All System 3 acrylic colours can be washed from brushes using water and household soap or domestic washing-up liquid. Never allow colour to dry on the brush, once it is dry, it can only be removed with considerable difficulty!

Silk screens: Screens should be cleaned immediately with soap and water. After long print runs, colour can be removed with the application of neat System 3 Acrylic Printing Medium. Never allow acrylic colours to dry hard on the screen.

Clothes: Immediately remove excess paint and apply liberal quantities of soap and water. Machine-wash as soon as possible. This will minimise damage but is unlikely to remove all staining!

Due to inherent differences in computer monitors, colours displayed below may not accurately represent the actual colour.

Daler Rowney Simply Tripac Metric - �0.00

rss@phpbasket.com — Sun, 29 Jan 2012 05:28:49 +0100

This Daler Rowney Simply Stretched Canvas is perfect for creating your own beautiful pieces of artwork. Made from 100% acid free cotton with a medium grain texture for durability, the back is stapled and it has a 2cm edge. The canvas has been double primed so it is ready to use and is ideal for acrylic and oil paint, as well as being suitable for mixed media, collage, impasto and heavy textures. They come as a pack of 3, perfect for triptychs or multiple art works.

Winsor & Newton Oilbar - �0.00

rss@phpbasket.com — Sun, 29 Jan 2012 05:28:49 +0100

An artists' quality oil colour in stick form, Winsor & Newton Artists' Oilbar enables painting and drawing freely and directly onto surfaces.

The new Artists' Oilbar is a unique medium because it provides artists with greater buttery consistency and richness of oil colour together with the freedom and directness of pastels or charcoal.

Artists' Oilbar is fundamentally different from oil pastels or oil crayons due to its unique formulation. The new range has a spectrum of 50 colours each of which is produced by combining artists' quality pigments with linseed or safflower oil, blended with specially selected wax. It offers an exciting and versatile way of painting and drawing – from sketching, to sgraffito effects, whether used on its own or with tube oil colour.

Due to inherent differences in computer monitors, colours displayed below may not accurately represent the actual colour.

Numbers in brackets after the colour name refer to Winsor and Newton Series Information.

Small Print Browser AMI592097 - �39.95

rss@phpbasket.com — Sun, 29 Jan 2012 05:28:49 +0100

This small print browser made of natural elm wood is a great solution for shows and exhibitions to display prints for sale in a space saving and managable way. It is foldable and lightweight for transportation.

Please see second image for dimensions

Galeria Acrylic Colour 60ml - �0.00

rss@phpbasket.com — Sun, 29 Jan 2012 05:28:49 +0100

Galeria Acrylic Colour is a high quality acrylic which delivers professional results and is ideal for artists who want good quality colour at an affordable price.

All of the 60 colours in the Galeria Acrylic range offer a wide spectrum of pigment characteristics to choose from as well as excellent brilliance of colour, high levels of pigment strength, opacity & permanence, strong brush stroke retention, clean colour and a smooth, satin finish.

Galeria enjoys a good to high level of pigmentation, which gives artists from beginner to professional a good correlation to artists' acrylics, making it easier in the transition to artists' grade when a wider choice and even higher pigment strength is needed.

Although Galeria is sometimes referred to as ‘student grade' the high levels of pigment deliver professional results with significantly better covering power than many similarly priced brands.

Winsor & Newton are the first to introduce some of the higher performance pigments, which are more normally found in artists’ acrylics, into the lower priced range, namely Cadmium Yellow Medium, Cadmium Red Medium, Cobalt Blue, Permanent Alizarin Crimson, Green Gold, Transparent Yellow & Opera Rose. This widens the choice across the spectrum within the economical option of Galeria.

Colours made from cadmium pigments constitute an important part of the artists’ palette. Cadmium Yellow Medium and Cadmium Red Medium offer unique colours, good opacity and excellent lightfastness which are unmatched by other pigments available. Cobalt Blue is a semi opaque blue with great permanence. As the genuine pigment does not contain any white, it is therefore not only useful in its own right but resultant colour mixtures are less chalky.

Thin films of colour will dry in 10-20 minutes, thicker films can take an hour or more.

Due to inherent differences in computer monitors, colours displayed below may not accurately represent the actual colour.

Numbers in brackets after the colour name refer to Winsor and Newton Series Information.

Galeria Acrylic Colour Art Set - �19.95

rss@phpbasket.com — Sun, 29 Jan 2012 05:28:49 +0100

This great set contains 10 x Galeria 20ml tubes, two canvas boards, a plastic palette and two brushes - everything you need to get started.

Contents:

10 x 20ml Galeria Tubes;
1 x Acrylic Brush Round No. 6
1 x Acrylic Brush One-Stroke 3/8";
1 x Plastic Palette
1 x Galeria Acrylic Colour Leaflet
Winsor Canvas Board 7" x 5"
1 x Winsor Canvas Board 10" x 8"

Wolffs Carbon Pencil 4 Pack - �4.25

rss@phpbasket.com — Sun, 29 Jan 2012 05:28:49 +0100

Described by many professional artists as the world's best drawing and sketching pencil. Wolff's Carbon Pencils combine the best attributes of charcoal and graphite to deliver a precise yet rich velvety mark.

Pack of 4 contains:

Graduate Acrylic & Oil Brush Selection (Long Handle) - �17.99

rss@phpbasket.com — Sun, 29 Jan 2012 05:28:49 +0100

Daler Rowney Graduate brushes are a great value brushes for beginners, hobbyists and students. This long-handled Daler Rowney Graduate Acrylic and Oil Brush Selection comes in a hard-wearing black zip case.

Contents:

Sizes 4 and 16 Round
Sizes 8 and 16 Short Flat Bright
Size 4 Flat Shader
Hog Sizes 2 and 8 Flat
Hog Size 4 Bright
Hog Size 6 Round
Hog Size 6 Filbert